I worked on my first Kickstarter and it got approved! It’s for the Special Edition Hardcover of Lady Wynwood’s Spies, volume 1: Archer and the release of Lady Wynwood’s Spies, volume 7: Spinster. I contacted my graphic designer about the Special Edition Hardcover of vol. 1: Archer—it’s going to be SO beautiful! The Kickstarter focuses on the Special Edition Hardcover, but it’ll also include vol. 7: Spinster so that it’ll sort of be like a launch day for vol. 7, too. A third special thing that’ll be in the Kickstarter is Special Edition Paperbacks of all the books in the series. They won’t be available in stores, just in the Kickstarter (and later, from my website, and also in my Patreon book box tiers if I decide to do them). The Kickstarter is not live yet, but you can follow it to be alerted when it has launched. (You may need to create a free Kickstarter account.) Follow Camy’s Kickstarter
This is continuing my series explaining how I came up with the weird (and not so weird) names of my characters in Prelude for a Lord.
Lady Arkright
Lady Arkright was a childless Italian widow of a local gentleman with a farm neighboring Alethea’s father’s lands. She befriended Alethea and taught her to play the violin, which is a socially unacceptable instrument for women in England at the time. Lady Arkright learned to play the instrument, among many others, in her childhood in Italy. She loved Alethea like her own child and bequeathed her violin to her, unaware of its amazing history. Lady Arkright has died by the time Prelude for a Lord opens.
For a woman who didn’t have any page time in this book, I spent a lot of time building her backstory and trying to come up with her name. She was actually one of the most fun characters to write because she is the character who could have been.
The composer Vivaldi had been employed from 1703 to 1715 and from 1723 to 1740 at the Ospedale della Pietà, a convent, orphanage, and music school in Venice. Some of the trained musicians left to advantageous marriages, which is how I got the idea for Calandra, Alethea’s friend, mentor, and mother-figure.
I had Calandra being born in 1725 and sent to the Ospedale della Pietà, where she was trained in many musical instruments, including the violin. She would have been about fifteen years old when Vivaldi spent his last year at the Ospedale. When she was eighteen years old, she met and married Sir William Arkright, who was visiting in Venice.
I chose Calandra because it means “skylark,” and it may have originally been a byname for someone with a good singing voice.
Calandra’s husband was good with his hands and liked building things out of wood. He hand-crafter the case for her violin, joking that it was more valuable to her than her jewels. (Those of you who’ve read the book and know what that case was will understand this.)
I named Sir William after the surname Arkwright, which means “chest-maker.” (I had to change the spelling of the name since there are several real-life Arkwrights connected to noble families in England.)
Alethea still misses Lady Arkright and the music they would play together. Without Calandra and Lucy, Alethea feels very alone, avoided by the local women and misunderstood because of her scandalous instrument.
Next, Alethea’s best friend and half-sister, Lucy.
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