I just finished writing Year of the Dog ! It had a massive plot hole that I had to fix which turned out to be more work than I expected. Here’s a snippet: “Hey, Auntie Nell.” He wrapped his arms around her, bussing her on the cheek and breathing in pikake flowers and shortbread cookies. And suddenly he was nine years old again, and her solid presence had made his chaotic world stable once more. “What are you doing here?” He usually took her to dinner on Wednesday nights, but today was Tuesday. The edges of her smile faltered a little before brightening right back up again. “What, I can’t visit my nephew?” She angled around him to enter his home. “Is this your new house? Looks lovely.” Which was a blatant lie, because the fixer-upper was barely livable, much less acceptable to a neat-freak like his aunt. She also left four matching pink and purple floral suitcases on the stoop behind her. Only then did Ashwin notice the cab driver standing slightly to the side of the walkway. “Can ...
8/15/04
Not much going on for me. I've been trying to figure out my characters' motivations and goals in my wip, and it's coming slowly. I read something yesterday that jump-started my creativity. From "Creating Characters: How to Build Story People" by Dwight Swain:
I can't quote directly, so I'll just paraphrase: basically when you're creating characters (good and evil) to carry your story, you have to find people you really care about, who cause intense emotional reactions from you.
I know, that's not terribly mind-boggling, but that seemed so profound for me. I've been struggling with characteristics for my hero, and not nailing him down. But after reading that, I realized I need to create characteristics that make ME go ga-ga over him. He's loosely patterned after a movie star (with several traits from dear hubby, natch), so I started thinking, what specific characteristics make him so appealing, and why? And after I started thinking down that road, his characteristics started coming into my head and fleshing him out.
I had wanted to finish with my outlining by now and writing, but I know I need this time to figure out my story outline. I've realized that my characters shouldn't just walk into my plotline, the story should unfold around the specific characters I've created. The characters should be the center around which the storyline revolves. So I want to make sure my characters are real people I care about, or else the plot will just fall flat.
Hopefully this process won't take much longer. The ACRW conference is in mid September, and while I'd like to have a rough draft by then, it's probably too soon. But I'd at least like a solid outline so I know where the four-book series is going.
Not much going on for me. I've been trying to figure out my characters' motivations and goals in my wip, and it's coming slowly. I read something yesterday that jump-started my creativity. From "Creating Characters: How to Build Story People" by Dwight Swain:
I can't quote directly, so I'll just paraphrase: basically when you're creating characters (good and evil) to carry your story, you have to find people you really care about, who cause intense emotional reactions from you.
I know, that's not terribly mind-boggling, but that seemed so profound for me. I've been struggling with characteristics for my hero, and not nailing him down. But after reading that, I realized I need to create characteristics that make ME go ga-ga over him. He's loosely patterned after a movie star (with several traits from dear hubby, natch), so I started thinking, what specific characteristics make him so appealing, and why? And after I started thinking down that road, his characteristics started coming into my head and fleshing him out.
I had wanted to finish with my outlining by now and writing, but I know I need this time to figure out my story outline. I've realized that my characters shouldn't just walk into my plotline, the story should unfold around the specific characters I've created. The characters should be the center around which the storyline revolves. So I want to make sure my characters are real people I care about, or else the plot will just fall flat.
Hopefully this process won't take much longer. The ACRW conference is in mid September, and while I'd like to have a rough draft by then, it's probably too soon. But I'd at least like a solid outline so I know where the four-book series is going.
Comments